
After each thread was fed through the reed and then through the heddles, I tied the threads on to the back apron rod.
Then I started cranking. The apron rod went down and around the back warp beam, and the warp followed merrily along. I put slats of wood (old window blinds) in between the layers of warp as they wind around, to keep individual threads from burrowing down through the layers and creating odd tension problems.
When I got the warp all wound around the back beam, hopefully under even tension, I trotted back around to the front and tied the other end on to the front apron rod.There is a moment here, when the loom is warped and ready to go, before you throw that first weft shot. Order has been created from chaos. The loom almost hums, holding it's breath, a symbol of perfect possibilities.
And then you throw that first shuttle pick, and you find all the places where you've screwed up the process. But for now, I'm just going to admire the sweet sweet potential.
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